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لؤي بورويس

Loay Burwais

“Metal becomes a visceral language of tension, resilience, and human vulnerability.”

Loay Burwais revisits the questioning of the body and self through artistic explorations that use iron and metals as fundamental materials for visual dialogue. The artist employs these solid, harsh materials, contrasting with human fragility, to transform them into an expressive language that embodies deep layers of tension, emotion, and inner pulse. In his works, iron is not merely a material but an embodied emotional state; it bends, twists, and resists just as the body does when confronting its psychological transformations.

Through his sculptures and drawings, Burwais searches for spaces where violence intersects with serenity, and weight with lightness, offering a sensory reading of the human condition in an environment charged with transformation. The metallic mass assumes a symbolic value that transcends its materiality and becomes a visual embodiment of the contemporary Libyan experience, carrying anxiety, resilience, and a constant desire for reshaping.

Metal sculpture · 2 works

Portrait of Loay Burwais

Loay Burwais

Artist profile

Born

Not documented

Practice

Metal sculpture

Education

  • Not documented in the available source material

Awards & recognition

  • A documented birth year and formal awards record are not yet available
  • Also active in architecture and spatial design

Timeline

  1. 2005

    Created Cartier Horlogerie in metal.

  2. 2006

    Created Gard de corps in Tripoli.

  3. 2025

    Produced a new group of monumental metal works exploring body, tension and resilience.

The book of works

Loay Burwais — every piece with its title and size

Untitled by Loay Burwais
UntitledMetal
Gard de corps by Loay Burwais
Gard de corpsMetal, Tripoli, 2006

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Youssef Ftais